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We are moving past the "Big M" era. Watch for the new wave: (the king of micro-expressions), Soubin Shahir (the poet of the downtrodden), and directors like Lijo Jose Pellissery who turn a funeral into a rock concert.

Watching a Malayalam film today—whether it is the raw, rhythmic violence of Jallikattu or the silent, tearful kitchen of The Great Indian Kitchen —is akin to reading the daily newspaper of Kerala’s subconscious. It smells of monsoon mud and toddy. It speaks with the sharp wit of a communist pamphlet and the sadness of a lullaby. We are moving past the "Big M" era