Kylie !!install!! Freeman Vicky The 107 Minutes Collection Jun 2026

In an era dominated by digital screens, the physical installation of The 107 Minutes Collection is notable. The collection includes physical artifacts sealed in glass cases: a used coffee cup (Minute 14), a broken hair tie (Minute 39), and a napkin with a phone number smeared by condensation (Minute 101). Freeman calls these “relics of duration.” By treating disposable objects with the reverence of museum artifacts, the artists argue that memory is not stored in the brain or the hard drive, but in the mundane residue of shared time. For Vicky, these objects are simultaneously authentic (they were actually present) and absurd (they are trash). This duality forces the viewer to question their own nostalgia: Do we value the object, or the meaning we retrospectively assign to it?

Critics have compared the experience to Georges Perec’s constrained writing or Christian Marclay’s The Clock —art that makes time palpable. Kylie Freeman Vicky The 107 Minutes Collection

Legitimate analysis now relies on a "consensus transcript"—a crowdsourced document of 30,000 words describing each clip. The work thus exists only in description, a Borgesian fable of the digital. In an era dominated by digital screens, the