The man looks back at his phone. A notification: "Tinder has run out of people in your area."
At the heart of Tom of Finland's art is the eponymous character, a hyper-masculine, ruggedly handsome everyman who embodies the artist's idealized vision of male beauty. This character, often depicted in fetishistic attire and engaging in explicit activities, was both a reflection of Laaksonen's own desires and a commentary on the societal norms of his time. tom of finland -2017-
To escape this oppressive reality, Touko begins creating private, highly stylized drawings of muscular men in uniforms. These sketches—featuring hyper-masculine lumberjacks, sailors, and leather-clad bikers—represented a radical departure from the effeminate or tragic caricatures of gay men prevalent at the time. The man looks back at his phone
There is a pivotal moment in the film where Touko shows his work to a potential lover. The man recoils, calling the drawings "ugly" and "monstrous." This scene cuts to the heart of the internalized homophobia of the time. Touko, however, persists. He sends his drawings to American physique magazines under the pseudonym "Tom." When the editor writes back, "Love the drawings, but lose the shirt," the emancipation begins. To escape this oppressive reality, Touko begins creating
In 2017, the life of Touko Laaksonen was brought to the global stage through the biographical drama Tom of Finland