ANOVA Spreadsheet
part of mini-collection
File 7455 is a 19kB Excel
Uploaded:
Aug14 06
https://serc.carleton.edu/download/files/7455/ANOVA_Spreadsheet.xls
To understand why PluralEyes 2.0 was so revolutionary, you have to remember the workflow of 2010-2012. Filmmakers had just discovered that cameras like the Canon 5D Mark II and 7D could shoot beautiful, cinematic video. However, these cameras lacked professional audio inputs. The built-in microphones were terrible, and the automatic gain control (AGC) made even decent external mics sound hissy and compressed.
If you are digging an old hard drive and find a license key for Plural Eyes 2.0, or if you are a vintage editing enthusiast, here is how you used it with Premiere Pro (CS5, CS6, or CC 2014): Plural Eyes 2.0 for Adobe Premiere
The workflow was deceptively simple: an editor would load the video clips (with scratch audio) and the high-quality audio tracks onto a timeline. With a single click, PluralEyes 2.0 would analyze the audio waveforms using advanced algorithms to match the scratch audio with the external recording. To understand why PluralEyes 2
is no longer a practical tool for professional pipelines in 2025. It is a relic—but a brilliant one. The built-in microphones were terrible, and the automatic
PluralEyes 2.0 is not compatible with modern versions of Premiere Pro (CC 2018 and later). It was built for Premiere Pro CS5, CS5.5, and CS6 (32-bit and early 64-bit). Users today must use PluralEyes 4.0 or later, or the built-in "Synchronize" feature in Premiere Pro.
: Version 2.0 is over a decade old and was primarily used with older versions of Premiere, such as Adobe Premiere Pro CS5 or CS6 .
