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For decades, superstars like Mammootty and Mohanlal were demigods. However, the new wave deconstructed even them. In Paleri Manikyam (2009), Mammootty played a victim of caste violence; in Drishyam (2013), Mohanlal played a common cable TV operator, not a superhero. Today, a film like Joji (2021), inspired by Macbeth , turns the svelte Fahadh Faasil into a ruthless, paranoid farmer trapped in a rubber estate. The actor is no longer larger than life; the situation is larger than the actor.

Perhaps the most significant cultural shift visible in Malayalam cinema is the redefinition of masculinity. mallu actress manka mahesh mms video clip better