This paper explores the hypothetical fashion and style gallery titled “pcassshhh priscilla cassshhh” as a semiotic and sensory installation. By analyzing the deliberate repetition, onomatopoeic “shhh,” and the juxtaposition of a classical name (Priscilla) with glitch-like sound effects, the paper argues that the gallery redefines fashion curation as an auditory and ephemeral experience. It examines how silence, hiss, and interruption function as avant-garde stylistic devices in contemporary fashion discourse.
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