Two years later, Nirbaak (2015), a Bengali anthology directed by Srijit Mukherji, offers a quieter but equally potent notable moment. In the film’s first segment, Dam plays a lonely woman who develops an erotic attachment to a tree. The scene where she caresses the bark and whispers to it as if it were a lover is surreal and haunting. Unlike the aggression of Hate Story , this moment is tender and melancholic. Dam’s ability to convey loneliness and desire without a co-actor—only against nature—highlights her range. It is a scene that lingers not for its shock value but for its poetic strangeness, proving that her filmography contains moments of avant-garde artistry often overlooked.