Before the era of high-budget CGI epics like Crouching Tiger, Hidden Dragon , there was the golden age of Hong Kong cinema—a time of wire-work, practical effects, and frenetic energy. Standing tall among the classics is the A Chinese Ghost Story trilogy, a series that defined the "ghost romance" genre. Directed by Ching Siu-tung and produced by the legendary Tsui Hark, this trilogy remains a masterclass in blending horror, comedy, and heart-wrenching romance.
A Chinese Ghost Story trilogy (1987, 1990, 1991) is a cornerstone of Hong Kong's "Golden Age" cinema, blending supernatural horror, martial arts, and tragic romance. Produced by and directed by Ching Siu-tung A chinese ghost story I II III -1987-1990-1991-...
Have you seen them? Which ghost broke your heart the most? Before the era of high-budget CGI epics like
The trilogy (1987–1991) is a cornerstone of Hong Kong cinema, renowned for blending supernatural horror, slapstick comedy, and sweeping romance with high-energy "wire-fu" action. Produced by Tsui Hark and directed by Ching Siu-tung , the series revitalized the "ghost maiden" genre and became a global cult classic. A Chinese Ghost Story I (1987) A Chinese Ghost Story trilogy (1987, 1990, 1991)
This installment leans heavily into Buddhist philosophy and visual spectacle. It is arguably the most visually polished of the trilogy, benefiting from the advancements in HK cinematography by 1991. Jacky Cheung holds his own, and Tony Leung Chiu-wai makes a memorable appearance as a cynical scholar. While it repeats many beats of the first film, it does so with enough style and emotional resonance to stand on its own.