Robby D.’s Workaholic is more than a pornographic feature; it is a document of its economic and technological moment. Through Stoya’s digitally native persona and a narrative that refuses to separate labor from leisure, the film captures the anxiety and eroticism of post-Fordist work culture. While it reinscribes certain gender norms, it also offers a rare representation of female workaholism as a legitimate, if complicated, form of modern desire. Future research might compare Workaholic to other “workplace” adult films of the era to trace how genre conventions respond to macroeconomic shifts.
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