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Editor Daniel Rezende used fast cuts and montage to mimic the frantic, high-stress rhythm of life in the favela.

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( Cidade de Deus ) reveals a film that redefined world cinema through its kinetic style and unflinching social commentary. Editor Daniel Rezende used fast cuts and montage

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The film's visual language is as famous as its story, earning four Academy Award nominations (including Best Cinematography and Editing).

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