KANK is not a pro-adultery film; it is a film about how good people rationalize betrayal. It asks the audience: Would you be any different?
Johar, along with cinematographer Anil Mehta, uses New York City not as a glamorous backdrop (as in Kal Ho Naa Ho ) but as a . The gray, wintry palette, the barren trees, and the constant sound of trains symbolize emotional paralysis. Kabhi Alvida Naa Kehna
Kabhi Alvida Naa Kehna doesn’t answer that question. It simply dares you to ask it. KANK is not a pro-adultery film; it is