.movies-grid gap: 1rem;

/* interactive snackbar / selection panel */ .selection-panel background: rgba(10, 12, 20, 0.85); backdrop-filter: blur(16px); border-radius: 2rem; padding: 0.8rem 1.5rem; margin-top: 2rem; display: flex; flex-wrap: wrap; align-items: center; justify-content: space-between; gap: 1rem; border: 1px solid rgba(255, 165, 80, 0.25);

The house owned time in a way no calendar could. A three-hour epic could compress an entire season of grief into a single exhale; a short, brittle film could split a heart with a single line of dialogue. When the credits rolled, there was a moment of reckoning: strangers looked up and wondered what it all meant for their own lives. Someone always stayed behind to talk, to trace with a finger the outline of a character’s choices and map it onto their own. Films served as maps and as compasses—sometimes the path was clear, sometimes utterly misleading, and often it was the wrong way that taught the most.

(2016) : A sci-fi masterpiece that uses alien first contact to explore linguistic relativity, grief, and the perception of time. IMDb

id: 5, title: "Spider-Verse", year: 2018, duration: "1h 57min", genre: "Animation / Action", rating: "8.4", poster: "https://image.tmdb.org/t/p/w500/iiZZdoQBEYBv6id8su7ImL0oCbD.jpg", trailerLink: "https://www.youtube.com/watch?v=g4Hbz2jLxvQ", hitFact: "Revolutionary animation" ,