Today, watching the "making-of" featurettes feels like archaeology. You see flashes of a saxophone solo that cuts to a gunshot—a transition that never exists in the final film. You see Karan Johar delivering a monologue about "selling dreams for steel," a line that anchors the entire theme but is absent from the theatrical cut.
Perhaps most tantalizing is the rumor of a complete subplot involving the city’s communist trade unions. Kashyap has hinted in interviews that he shot an entire narrative thread following Balraj’s best friend, Chimman (Satya Kaushik), who gets drawn into the 1960s bank workers’ strikes. These scenes—featuring a fiery, never-seen cameo by Nawazuddin Siddiqui as a union firebrand—would have anchored Bombay Velvet not as a romantic noir, but as a political epic about the clash between old Bombay and new Mumbai. bombay velvet deleted scenes
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