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Fauvism, Cubism, Futurism, and Surrealism were just a few of the radical movements that were redefining the boundaries of art. The emergence of cinema, too, was having a profound impact on the artistic world. Film was no longer just a novelty; it was becoming a legitimate medium for artistic expression.
Before we dissect the PDF itself, we must understand the author. Ricciotto Canudo (1877–1923) was an Italian-born, naturalized French writer, intellectual, and art critic. He moved to Paris at the turn of the century, immersing himself in the vibrant avant-garde circles that included Apollinaire, Picasso, and Jean Cocteau.
Canudo’s manifesto is elitist. He writes for the artist, not the masses. How does this aristocratic view clash with cinema’s most democratic nature?
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Fauvism, Cubism, Futurism, and Surrealism were just a few of the radical movements that were redefining the boundaries of art. The emergence of cinema, too, was having a profound impact on the artistic world. Film was no longer just a novelty; it was becoming a legitimate medium for artistic expression.
Before we dissect the PDF itself, we must understand the author. Ricciotto Canudo (1877–1923) was an Italian-born, naturalized French writer, intellectual, and art critic. He moved to Paris at the turn of the century, immersing himself in the vibrant avant-garde circles that included Apollinaire, Picasso, and Jean Cocteau.
Canudo’s manifesto is elitist. He writes for the artist, not the masses. How does this aristocratic view clash with cinema’s most democratic nature?